Lens codes explained

(from https://photo.stackexchange.com/questions/496/what-do-all-those-cryptic-number-and-letter-codes-in-a-lens-name-mean)

Brand Lenses

Most major camera manufacturers offer their own line of lenses. Such lenses tend to follow the most stringent quality guidelines, and often come with a price premium.

UPDATE: Sony lens format abbreviations

Sony Lens Abbreviations

Off-Brand Lenses

Most off-brand lens manufacturers make lenses that fit many types of bodies, including Canon, Nikon, etc.

Descriptions by Lens Features

If you know what feature you’re looking for in a lens (cropped-frame designation ultrasonic motor, low-dispersion elements, image stabilization, etc.), and want to know what each of the brands call that feature, the following answers are organized by lens feature.

Lens Database

Comprehensive database of most major brands.

 

Code Replacement automation

Code Replacements can be VERY useful for software like Photo Mechanic to speed up the captioning process. Often, a code replacement text file contains a team roster, positions, etc. Shortcuts are then used as ‘codes’ which are replaced by the actual text. Unfortunately, creating these text files can be tedious if you type them out manually. This may involve lots of typing or even copying & pasting. Nonetheless, additional formatting is often needed to get them into a format to work with Photo Mechanic.
Thanks to Maxwell Kruger, he’s made this process MUCH easier! Using an MS Excel file he provides on his web site which contains custom formulas, it’s possible to copy & paste a team roster and have it automatically formatted for you.
Here’s a link to his web page outlining the process. It’s fairly straightforward, and Maxwell does a good job explaining how the formulas work in case you need to modify them (I had to do this based on my roster being in Lastname, Firstname or Firstname Lastname format)
Here’s a Quick Start Guide (PDF file) to get you going – Code Replacement Automation
Here are some sample MS Excel files (one for Lastname, Firstname and one for Firstname Lastname)
CR MASTER Lastname Firstname
CR MASTER Firstname Lastname

My growth as a sports photographer (so far)

This blog post chronicles my journey as a sports photographer, from Ground Zero to wherever I am now. I’m not an amateur, and I’m not a professional. I’m somewhere in-between. I shoot for a local newspaper, as well as MaxPreps and a national wire service. I cover Division 1 & 2 NCAA college sports and many high school sports.

I’ve learned alot but I’m far from done, and thank goodness for that. I’m always learning, and always trying to get better. But something happened recently that made me stop and reflect about where I am today. The other night, while I was shooting some D2 college basketball, 2 different people came to me at different times while I was on the court to ask about settings on their cameras. I guess they saw me sitting on the baseline and thought I looked like I knew what I was doing! So that got me thinking about how much I’ve learned so far in my growth as a sports photographer.

The fact that they approached me was very flattering, and I hope that I’ll always feel that way. I’m happy to help teach people who don’t know what I know learn so that they know (you know?!). When I was first starting out, I had a million questions, and was lucky enough to work with some folks who were patient enough to answer them and teach me.

Find a Good Mentor

Starting out, I literally didn’t know any sports photographers, locally or otherwise. So along with my friend Google, I starting researching and I made a list of sports photographers in my area. I sent as many emails as I could, contacting anyone and everyone. At first, I asked them if I could simply visit with them and ‘pick their brain’ about things I could do to get into this business. Like any bold canvassing campaign, most requests went unanswered, but not all of them, and the few that replied to me were invaluable. I met with them, asked them some of my million questions, and asked them to critique my sports photos. Up to this point, these photos were mostly of my kids high school and youth sports. The constructive criticism I got was amazing, and really gave me the motivation and desire to improve. I wanted to shoot the kinds of photos they shot, and I was willing to do what it took.

Be Willing to Work for Free

Can you see where this is going? These initial contacts I made were great, and with one fellow, I asked if I could tag along with him and shadow him as he shot sports. Fortunately, he was willing to help me, and I got some great experience shooting Division 2 college sports, which I’d never have had a chance to do on my own. I wasn’t shooting for a company, an agency, a wire service, or a publication- I was simply shooting for experience. This photographer agreed to let me tag along, and I agreed not to sell any of the photos I took (the NCAA has strict rules about how photos can be sold). Being able to shadow him and see what he did was awesome. I watched and learned as he explained where he shot from on the field and why, what he looked for in his photos, and thankfully, he was patient enough to answer my many questions. My photos got better, and my desire grew stronger.

I was hooked.

So what’s next? Well, learning like this is great, and it’s important to be willing to work for free, but I soon realized that the consumer-level gear I had was limiting, and so my next step was to find some opportunities to earn while I learned. Luckily, another one of those mass mailing emails came through, and I hooked up with a company that shot high school action sports. This gave me an amazing opportunity to earn some money to gradually upgrade my gear. It also gave me a chance to borrow their pro-level gear and see the differences between it and my gear. As I was able to afford better gear, it also opened up more opportunities for me to get assignments from them, because they could send me out on my own with my gear, and it wouldn’t tie up their gear. It worked out well for both of us.

[NOTE: this is the part of the story where some folks will say something like, “it’s not the gear, it’s the photographer”, which I don’t argue with. However, there are certain things that better gear simply do better. That’s all.

Know Your Gear

I love photography and I love sports. So it’s no wonder that I also love sports photography. But sports photography is very different from other kinds of photography. For example, there are often technical decisions you need to make with your camera as you shoot, and you need to do this very quickly. You see, sports photographers are allotted zero timeouts during a game! It’s important to be able to make adjustments on the fly with your camera with muscle memory, so that you don’t miss a beat. Some of these might be exposure settings, like changing a shutter speed from 1/320 sec to 1/1000 sec as you change from shooting a timeout and back to live action. Be sure that you know your gear as well as possible, so that it doesn’t slow you down when you need to make these kind of adjustments.

Raise Your Standards

One of the companies I shoot for is MaxPreps. For those of you who don’t know who they are, they’re owned by CBS Interactive, and they’re essentially the high school division of CBS Sports. They’re also know for their high quality photos. I was fortunate enough to be accepted as a MaxPreps Pro Photographer, which gives me the opportunity to cover just about any high school sports event. But being accepted isn’t easy. Most folks aren’t accepted, at least on their first try, mostly for photo quality reasons. Becoming a MaxPreps photographer has raised my game, because each gallery I shoot gets reviewed, and if the photos aren’t good enough, they’re rejected. Shooting to this standard has made me look at my photos much more critically. Many of my photos which I used to consider good, I now reject myself, because I hold myself to the same MaxPreps standard. This has just been a long-winded way of telling you to be very critical of your work. Be your own toughest critic. You’ll raise your own bar and become a better photographer.

Know the Game

Being in the right place at the right time doesn’t always get you a winning photo, but it helps. Knowing the sport you’re shooting will help you decide where to shoot from and what to look for. For example, if you’re shooting football, it’s important to know the rules of the game, and to understand the flow. It’s important to understand the tendencies of a quarterback to throw a long pass on 3rd down as he rolls out to his right. This will help you be in position to capture the shot you’re looking for. It doesn’t always happen, but you’ll be in a better position than folks who don’t know what you know. And whatever you do, be sure you’re never part of the game. Understand where it’s ok for you to shoot from and where it’s not. Be respectful and mindful of where photographers are allowed on fields, in arenas, or wherever. If I’m at a new location and unsure if it’s ok to shoot from a certain spot, I make sure to ask someone in charge ahead of time.

Shoot Low

Most sports photos look better when shot from a low perspective. Football, soccer, basketball, you name it. A low angle simply looks better. It can add drama. It can make the athlete look larger than life. So get low and shoot low. For example, I shoot football on my knees (some folks will even lie on their stomachs for a low perspective). For basketball, I usually sit on the baseline. The lower, the better.

Two Eyes and a Ball

A great piece of advice I got early on about shooting sports is that it’s important to capture two eyes and a ball. The eyes will often show you the emotion of the athlete- it could be a look of confidence, concentration, fear, surprise, you name it. But no matter what, the eyes show you the personal side of the athlete. The ball gives context to the photo. It puts you in the action with the athletes. This is such an important concept that I wrote an entire blog post about it. You can read that here.

So that’s alot. But it’s not all, and thank goodness for that. This is much of what I’ve learned so far, but I have a feeling that in a few more years, I might look back on this blog post and think, “Boy, I really didn’t know much at all back then!”. Hopefully, it’ll help you as an aspiring sports photographer, and help you learn more than you already knew.

Give Back

I’ve worked hard to get where I am, and I still have A LOT more to learn. But I’m starting to reach a level where my hard work is paying off. I appreciate the time that certain photographers took to help me learn and grow. I appreciate them letting me tag along and ask endless questions, and I appreciate the constructive criticism they gave me to help me understand what could make my photos better. So when you reach a certain level of achievement, give back. Give back to less experienced photographers and help them along, just as others may have helped you. And you’ll be surprised at not only how much you might have to share, but also how fulfilling it can be to help others.

Tip: Overexpose for low-light shooting

I often shoot sports in low light, whether it’s a Friday night high school football game or a dark high school gym. Because of this, I’m very sensitive to high ISO and noise. One of the main techniques I use is to overexpose the photo slightly and then bring things back down in Lightroom post-processing. Underexposed photos tend to show a lot of noise, which is often hard to fix well in Lightroom. But, if you intentionally overexpose the photo, the shadows/dark areas will look better in post-processing, and you can then bring down the highlights and often increase the exposure for nice results.

Here’s how things look on my camera

I shoot in Manual mode for sports. For most sports, I set the shutter speed around 1/800-1/1,000 sec. and the aperture at f2.8 and use Auto ISO (with a max. cap at 6400). I then set the Exposure Compensation somewhere around +2/3 to +1 of a stop. So, the camera determines the correct exposure based on these settings, and then overexposes it by that amount. I’m then able to do the adjustments in Lightroom as mentioned above.
Note: In order to do this, you have to use Auto ISO, and not all cameras support using this with the Exposure Compensation feature together.

Two eyes and a ball

You’ve heard it before in sports photography- a good photo shows two eyes and a ball. Well, maybe you haven’t heard that yet, so here you go, now you have.

Sports photography is faster paced than studio or other still photography. It requires you to shoot quickly, make quick adjustments, be in the right position, shoot through the action to capture emotions, get good composition, and oh yeah, have a tack-sharp image.

Hmmmm. That sounds like a lot to do. Well, it is. But when you do it all, and get it right, it’s really rewarding. Unfortunately, a lot of times, it doesn’t all come together. Your photo keeper rate will be much lower for sports photography than just about any other genre. You might take 1,000 photos (or more) for an event and only come away with 25 5-star keepers (that’s only 2.5%). That sounds like a lot of work for a small payoff, but when you get those 25 5-star photos, it somehow makes it all worthwhile.

So what makes a good action sports photo?

Two eyes and a ball. It sounds simple, but remember all of those other things above that go into the shot?

Here’s a photo that if you showed a parent or maybe a casual observer, they might say, “wow, what a great photo”. BUT…

…while we have two eyes (actually, we have four), we’re missing the ball.

So let’s add the ball…

And again, the casual observer might say, “cool, you took a photo of a football catch”. But is it a good photo? Is it the one we’re looking for? Nope. We’re missing the eyes. We want to see the players’ faces. We want to see the emotion on their faces. We want to see their anticipation in catching the ball, or being hit hard by a tackle. We want the human element.

So let’s see the difference if we can put add it all together- two eyes and a ball.

Yep- two eyes and a ball. But is it a good action sports photo?

Not yet. It’s not very sharp. Actually, if you look closely, you’ll notice the ball is in focus, but not the players’ faces. This is my fault because I didn’t have the right lens for that distance.

This is starting to get pretty nit-picky, but the fact is, it takes a lot to make a good action sports photo. The kind of photo that when you see it, you just know it’s good.

Well, remember that keeper rate we talked about? Here’s one that pulls it all together. It has good composition, it has a tight crop of the action, it shows the player with two eyes and a ball, and it’s sharply in focus.

Check, check, check, and check. Cross this one off the list- it’s a 5-star keeper. But we had to work hard for that! Sports photography is a lot of work, but it’s very rewarding when your work pays off.

How do you get a photo like this? Shoot lots. Shoot often. Shoot anything. Be your own toughest critic. Ask for help. Find photographers who are better than you and learn from them. And when you get to the point where you’re able to do this consistently, give back to help others who are trying to get there, too.